Arnold Schoenberg (1874–1951), one quintet.August Klughardt (1847–1902), one quintet.Peter Rasmussen (1838–1913), one quintet.Giulio Briccialdi (1818–1881), three quintets.Anton Reicha (1770–1836), twenty-four quintets, as well as some independent movements.Johann Georg Lickl (1769–1843), one quintet.Giuseppe Cambini (1746–1825), three quintets.Johann Georg Albrechtsberger (1736–1809), a quintet for two oboes, clarinet, natural horn, and bassoon.1750–1792) One quintet, for flute, oboe, English horn, clarinet, and bassoon Though the form fell out of favor in the latter half of the 19th century, there has been renewed interest in the form by leading composers in the 20th century, and today the wind quintet is a standard chamber ensemble, valued for its versatility and variety of tone color. It was Anton Reicha's twenty-four quintets, begun in 1811, and the nine quintets of Franz Danzi that established the genre, and their pieces are still standards of the repertoire.
The influence of Haydn's chamber writing suggested similar possibilities for winds, and advances in the building of these instruments in that period made them more useful in small ensemble settings, leading composers to attempt smaller combinations. The modern wind quintet sprang from the octet ensemble favored in the court of Joseph II in late 18th century Vienna: two oboes, two clarinets, two (natural) horns, and two bassoons. Unlike the string quartet (of 4 string instruments) with its homogeneous blend of sound color, the instruments in a wind quintet differ from each other considerably in technique, idiom, and timbre. A wind quintet, also known as a woodwind quintet, is a group of five wind players (most commonly flute, oboe, clarinet, French horn and bassoon).
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